Originally produced at Oregon Shakespeare Festival, Ashland, Oregon. Featuring a fresh framing device, this devised theater adaptation (featuring a flexible ensemble of 13) is tailor-made for adventurous professional theaters or colleges that want to imagine this classic tale with a new spin. Tracy Young's adaptation: R ecommended for professional theaters, colleges, advanced actors. The faithful, spirited retelling captures the humor and heart of the original. 75-85 minutes. Originally produced at Lifeline Theatre, Chicago. This ensemble-driven rendition of the beloved classic offers flexible staging, minimal sets, and the possibility of a large cast. James Sie's adaptation: R ecommended for smaller theaters, black box theaters, schools. Originally produced at South Coast Repertory Theatre, Costa Mesa, California. This theatrical re-telling with vivid visuals, possible video projections, and creatively suggested imaginary locations is perfect for professional theaters that can maximize the opportunities for exciting technical elements, or even for small touring groups who need to tell the story with less performers (6), or with suggested props (that are able to travel). John Glore's adaptation: Recommended for professional theaters, TYA touring groups. Faithful and funny, these adaptations are bound to capture the heart and mind of your audiences. The two one-act adaptations were created specifically for schools and community groups looking to perform this beloved classic but without the resources or block of time of a larger theater. The large-cast, yet flexible Ensemble brings the themes of story to life in a nuanced and engaging way. Morgan Gould 's adaptations ( 35-minute/ 50-minute versions, Full-length version): R ecommended for schools, youth groups, touring, and one-act festivals. We have however, given a brief explanation of how each one is different so you can decide which makes the most sense for your particular needs. ![]() We love and stand behind each adaptation listed here, and each one has something to offer every group. In adapting from page to stage, there is no one way to re-tell a story. Stage Partners is proud to represent several different versions of the classic tale A WRINKLE IN TIME by Madeleine L'Engle. Love CAN overcome evil and 2. There IS such a thing as a tesseract. In the end, we know two things for sure: 1. ![]() Whatsit, Charles Wallace, Calvin O'Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. Once again, she's joining forces with Mrs. ![]() One of literature's most enduring young heroines, Meg Murry, is back-braces, stubbornness and all.
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